KOKOROKO

_**Kokoroko**_ first formed in 2014 when Sheila Maurice-Grey (trumpet/flugelhorn/vocals) and Onome Edgeworth (percussion) met on an arts trip in Kenya, bonding over their shared tastes in music. A desire to connect young people in the African diaspora with genres like Afrobeat and Highlife would also fuel the band’s genesis. Before long they were playing gigs, riding a wave of the then nascent “London jazz scene”. In 2018, their breakthrough was secured when the sparse ‘Abusey Junction’ was included on Gilles Peterson’s ‘We Out Here’ compilation. An understated 7 minute ballad recorded in an afternoon, it quickly became a viral hit racking up 75 million streams.  
  
Kokoroko’s artistry has matured to a place that’s now largely representative of the musical melting point and wide range of tastes that comes as Londoners in the black diaspora. It’s this precise notion and the sense of London as an overarching anchor that informs the crux of their second studio album ‘Tuff Times Never Last’.  
  
A testament to resilience, joy and the retainment of child-like innocence in the face of adverse circumstances. “_Although we’re reflecting on joy and celebration, you realize a lot of that beauty comes out of challenges and difficulties. Even in memory, the times that were tough tend to sweeten up_” Edgeworth says of the story behind the album’s title.

KOKOROKO

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Kokoroko (Uk)

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